nā? nā? nā? kiiteru ka? sā! sā! sā! hajimeyo u ka supottoraito nante nai yami no naka de no shibai su beki koto wa 'saikō no' ā, ā, ā, sorede sune, tokoro ī ano are ssu ne orijinariti? sore ga mō sudeni kikiaki te n da sonna mon hontoni an no? nante omotteru n daro? de, hora mata yami no naka ni haiccha teru nā? nā? nā? sonna toko ja jibun ga nani wo shiteru ka wakara nai daro? nā? nā? nā? demo mie te shimau to gyaku ni kowaku naru kamo ne mi nai hō ga ii mie nai hō ga ii soredemo mi tai? soredemo mi te mi tai? sā dōzo dōzo dōzo
nā? nā? nā? kanjō ga shidaini kusatte ku senkyō wa fuan ni kawatte ku henbō no jidai ga yattekuru zetsubō teki nā? nā? nā? sōzō no saki wo koe te kuru messēji hasan de fusai de ku henkō no jikan wa satte ku metsubō shugi nā? nā? nā?
nā? nā? nā? kii te n no? zā, zā, zā. ōtō nashi yami no naka de ichi nin kodoku to mo chigau kyōfu mirai naki mirai e susumu mā, mā, mā, mā ikka dōse minna itsuka wa shinu n da osokare hayakare kekka wa onaji umaku yaru nara uso wo tsuke engi shiro sekai no subete wo damase jibun sae mo hontō no jibun sonna yatsu wa i nai hito wa kizutsuki rikai shi te iku karō, sutoresu, muryoku sokode yami ga umare dakedo sono yami koso ga chikara desu kurai seikaku da kara koso yoi kokoro no kage wa hikari e no hentō kibō wa yami shidai soshite maku wo tojiru yaba i shibai
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nā? nā? nā? tanjō suru kurai kurai boku saibō made yami ni somatteru saikō ni hai ni natte ku enjō desu nā? nā? nā? saikyō no hāto bīto wo jama sun na yasui merodi kandō no maruchi endingu kekkō desu
nā? nā? nā? kanjō ga shidaini kusatte ku senkyō wa fuan ni kawatte ku henbō no jidai ga yattekuru zetsubō teki nā? nā? nā? sōzō no saki wo koe te kuru messēji hasan de fusai de ku henkō no jikan wa satte ku metsubō shugi nā? nā? nā?
Hey? Hey? Hey? Are you listening? Come on! Come on! Come on! Should we? A play in the darkness where there is no spotlight What should be "the best"? ... Oh, ah, oh, That's what it is called that Originality? I am tired of hearing it already. Such a real truth? Do you think so? Hey, hey, I got into the dark again Hey? Hey? Hey? You do not know what you are doing in that place? Hey? Hey? Hey? But if you see it, you might be afraid of it You better not see it better if you do not see it Still want to see? Still want to see? Well please please
nā? nā? nā? kiiteru ka? sā! sā! sā! hajimeyo u ka supottoraito nante nai yami no naka de no shibai su beki koto wa 'saikō no' ā, ā, ā, sorede sune, tokoro ī ano are ssu ne orijinariti? sore ga mō sudeni kikiaki te n da sonna mon hontoni an no? nante omotteru n daro? de, hora mata yami no naka ni haiccha teru nā? nā? nā? sonna toko ja jibun ga nani wo shiteru ka wakara nai daro? nā? nā? nā? demo mie te shimau to gyaku ni kowaku naru kamo ne mi nai hō ga ii mie nai hō ga ii soredemo mi tai? soredemo mi te mi tai? sā dōzo dōzo dōzo
nā? nā? nā? kanjō ga shidaini kusatte ku senkyō wa fuan ni kawatte ku henbō no jidai ga yattekuru zetsubō teki nā? nā? nā? sōzō no saki wo koe te kuru messēji hasan de fusai de ku henkō no jikan wa satte ku metsubō shugi nā? nā? nā?
nā? nā? nā? kii te n no? zā, zā, zā. ōtō nashi yami no naka de ichi nin kodoku to mo chigau kyōfu mirai naki mirai e susumu mā, mā, mā, mā ikka dōse minna itsuka wa shinu n da osokare hayakare kekka wa onaji umaku yaru nara uso wo tsuke engi shiro sekai no subete wo damase jibun sae mo hontō no jibun sonna yatsu wa i nai hito wa kizutsuki rikai shi te iku karō, sutoresu, muryoku sokode yami ga umare dakedo sono yami koso ga chikara desu kurai seikaku da kara koso yoi kokoro no kage wa hikari e no hentō kibō wa yami shidai soshite maku wo tojiru yaba i shibai
nā? nā? nā? tanjō suru kurai kurai boku saibō made yami ni somatteru saikō ni hai ni natte ku enjō desu nā? nā? nā? saikyō no hāto bīto wo jama sun na yasui merodi kandō no maruchi endingu kekkō desu
nā? nā? nā? kanjō ga shidaini kusatte ku senkyō wa fuan ni kawatte ku henbō no jidai ga yattekuru zetsubō teki nā? nā? nā? sōzō no saki wo koe te kuru messēji hasan de fusai de ku henkō no jikan wa satte ku metsubō shugi nā? nā? nā?
Hey? Hey? Hey? Are you listening? Come on! Come on! Come on! Should we? A play in the darkness where there is no spotlight What should be "the best"? ... Oh, ah, oh, That's what it is called that Originality? I am tired of hearing it already. Such a real truth? Do you think so? Hey, hey, I got into the dark again Hey? Hey? Hey? You do not know what you are doing in that place? Hey? Hey? Hey? But if you see it, you might be afraid of it You better not see it better if you do not see it Still want to see? Still want to see? Well please please
The enigmatic Storyteller, concealed behind a yellow mask, is a figure of mystery, his true identity and origins shrouded in secrecy. When dusk settles and children gather, he emerges, captivating his young audience with chilling tales inspired by Japanese urban legends. What sets the Storyteller apart is his use of a kamishibai, a traditional paper-scrolling device, which adds a visual dimension to his already macabre narrations.
Yamishibai is a collection of short horror stories. Each tale that unfolds becomes progressively more terrifying, shocking, and unsettling, drawing the Storyteller's audience deeper into the treacherous world born from his words.